Over the last 15 years, The Public Theater’s UNDER THE RADAR FESTIVAL has presented over 229 companies from 42 countries. This festival is an outlet that allows new works the opportunity to catch their breath and breathe. The Public’s mission for providing a high-visibility platform to support artists from diverse backgrounds who are redefining the act of making theater is what this festival is all about.
There is a lot to see but listed here are the top 5 to get you started. Be sure to click on the dates and times above each trailer for all of the details including location, ticket prices, detailed show dates and starting times.
The Illustrious Blacks have arrived to save the world one beat at a time! Once upon a time in a galaxy not far away, there lived two kings. Each was the ruler of his own deliciously glorious planet. The first king, Manchildblack, was well known throughout the cosmos for his ethereal vocals, celestial sonics, and earthy musical messages. The other king, Monstah Black, was a star in the solar system for his gravity-defying performances, gender-bending fashions, and spacey disposition. One magical night, an inexplicable ultra-magnetic pull forced the two planets to collide. A technicolored explosion occurred, turning night into day, with a feast of aural and visual delights. It was then that the universe was changed forever. Manchildblack and Monstah Black united and became The Illustrious Blacks!
2. HEAR WORD! NAIJA WOMAN TALK TRUE
Inspired by multi-generational stories of inequality and transformation. Staged by director and writer Ifeoma Fafunwa, the show grapples with the issues affecting the lives of women across Nigeria, and the factors that limit their potential for independence, leadership, and meaningful contribution in society. Combining song and dance with intimate portraits of resilience and resistance, the show celebrates women who have broken the culture of silence, challenged the status quo, and moved beyond barriers to achieving solutions.
Featuring a cast of leading Nigerian actresses (Taiwo Ajai-Lycett, Joke Silva, Elvina Ibru, Omonor, Ufuoma McDermott, Zara Udofia-Ejoh, Rita Edward, Debbie Ohiri, Odenike, and Oluchi Odii) as well as percussionists Emeka Anokwuru and Blessing Idireri.
3. INK: A Piece For Museums
INK is an art lecture, live personal essay, and electronic music concert all in one. With stunning visuals by media designer Shawn Duan, musician-storyteller duo James Harrison Monaco and Jerome Ellis perform a lush live score as they lovingly analyze works from around the world, exploring the traditional art lecture into a unique theatrical experience—one that’s at once playful, intellectual, and spiritual. Together, they guide us through a meditation on calligraphy and illuminated manuscripts, on music and silence, and on Jerome’s intimate relationship to the spoken and written word, in this first-ever collaboration between Under the Radar and the Metropolitan Museum of Art.
Now, the last two works are part of INCOMING! A festival within a festival. Rapid Response. Controlled Chaos. New Work.
Incoming! features works-in-process from The Public Theater’s Devised Theater Working Group. The DTWG is an artist resource program, offering workshops in critical and professional skills-building, as well as opportunities for creative collaboration. Reciprocally, this Working Group also advises for the Devised Theater Initiative, helping to shape a more inclusive and equitable field.
4. MACBETH IN STRIDE
Whitney White‘s live concert and theatrical event excavate the underbelly of female ambition. With throbbing orchestrations of vintage rock, White traces the fatalistic arc of Shakespeare’s Lady Macbeth while exorcizing demons of her own. One in a five-part series on Shakespeare’s women, this concert play is a battle cry for black female power and desire.
Sean Dononvan‘s new work is the reconstruction of a memory—the story of a queer couple who move from Brooklyn to a cabin in upstate New York, and of the violence that befalls them. Through monologue, film, dance, and music by Heather Christian, CABIN surveys the lines between myth and memoir, the complexity of intimacy, and the magnitude of loss.
Erika Dickerson-Despenza Addresses Flint Water Crisis with Cullud Wattah
There is limited seating left for Erika Dickerson-Despenza’s new play CULLUD WATTAH at The Public Theater. Opening today, Thursday, March 7th and running until Sunday, March 10th in the Public Studio is about three generations of Black women living through the current water crisis in Flint, Michigan.
“It’s been 936 days since Marion’s family has had clean water. When local activists file a class action lawsuit against the city, Marion—a third-generation employee at General Motors—must decide how best to support her two daughters, sister, and mother while lead seeps into the community, their home, and their bodies. As corrosive memories and secrets rise among them, the family wonders if they’ll ever be able to filter out the truth.”
2018 Relentless Award Semifinalist and poet-playwright makes her Public Theater debut with CULLUD WATTAH directed by Lilly Award winner Candis C. Jones; the cast includes Deonna Bouye (Marion), Alana Raquel Bowers (Reesee), Caroline Stefanie Clay (Big Ma), Nikiya Mathis (Ainee), and Kara Young (Plum).
The creative team includes Production Stage Manager Gregory Fletcher, Stage Manager Priscilla Villanueva, and Movement Director Adesola Osakalumi. Along with scenic design by Arnulfo Maldonado, Costume Design by Ntokozo Fuzunina Kunene, lighting Design by Jeanette Oi-Suk Yew, and sound design by Megan Culley
We believe in this work so much we’re giving away 4 tickets to the performances on March 10th. 2 tickets to the matinee and two the evening performance thanks to our founder Drew Shade and actress/playwright Jocelyn Bioh. Go to our Instagram to find out how!
Also, find out more about how you can help the Flint Water Crisis and support this show HERE.
Listen to Erika talk about her work on an episode of Off Book Podcast below
Surely Goodness and Mercy by Chisa Hutchinson Begins Off-Broadway
Performances begin today, Tuesday February 26th, for the New York premiere of Surely Goodness and Mercy, presented by Keen Company. A story about an exceptional boy living a troubled life in Newark, NJ who does a good deed for an often unnoticed person. Sarita Covington, Jay Mazyck, Brenda Pressley, Courtney Thomas, and Cezar Williams star under Jessi D. Hill’s direction.
Set in an under-funded public school in Newark, Surely Goodness and Mercy by rising playwright Chisa Hutchinson, tells the story of a bible-toting boy with a photographic memory who befriends the cantankerous old lunch lady. Against all odds, Tino and Bernadette help each other through the mess of growing up and growing old.
Surely Goodness and Mercy has spent the last year charming audiences across the country: “Notably absent from Hutchinson’s frank and sobering story: cynicism” – Chicago Reader; “(Surely Goodness and Mercy has) a soul-stirring quality, touching audiences with its sincerity” – Daily Utah Chronicle; “it’s impossible not to like it” – The Salt Lake Tribune. Now, Keen is honored to bring this big-hearted new play to New York for the first time.
Performances for this limited Off-Broadway engagement of Surely Goodness and Mercy will continue through Saturday, April 13th only, with opening night set for Wednesday, March 13th.
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