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Savion Glover Celebrates 32 Years On The Stage In One Man Show

Jerrica White

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Tony award winning choreographer, Savion Glover is celebrating 32 years in the business. Thirty.. plus two!? Thirty. Two. I could have sworn Savion was 32! I guess it’s true what they say, black doesn’t crack; and neither does the ambition and talent of this national treasure.

Glover will present his solo show at B.B. King Blues Club & Grill in Times Square on Wednesday August 17, 2016.

Most recently, Glover’s work was showcased in the show nearest and dearest to our hearts this season, Shuffle Along, for which he was nominated for a Tony and won a Drama Desk Award.

We can look forward to his continuance in advocacy for the art form of tap dance, as he educates and lets us in to his past experiences with Bring in ‘Da Noise, Bring in ‘Da Funk in Noise/Funk- 20 Years Later” on October 20.

Thirty two years in the game is truly a blessing. Glover has reached legend status, but that journey certainly was not overnight. In 1983, Glover made his broadway debut as Willie in The Tap Dance Kid. He went on to perform in Black and Blue and Jelly’s Last Jam. He choreographed and starred in Bring in ‘Da Noise, Bring in ‘Da Funk, for which he won the 1996 Tony for best choreography. Notable film credits include: Spike Lee’s “Bamboozled” and the acclaimed Academy Award Winning 2006 Warner Brothers release of “Happy Feet” and “Happy Feet 2”. Yes, he choreographed those penguins!

This is a night you do not want to miss! For tickets visit HERE.

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Events and Happenings

Erika Dickerson-Despenza Addresses Flint Water Crisis with Cullud Wattah

Drew Shade

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Playwright Erika Dickerson-Despenza

There is limited seating left for Erika Dickerson-Despenza’s new play CULLUD WATTAH at The Public Theater. Opening today, Thursday, March 7th and running until Sunday, March 10th in the Public Studio is about three generations of Black women living through the current water crisis in Flint, Michigan.

“It’s been 936 days since Marion’s family has had clean water. When local activists file a class action lawsuit against the city, Marion—a third-generation employee at General Motors—must decide how best to support her two daughters, sister, and mother while lead seeps into the community, their home, and their bodies. As corrosive memories and secrets rise among them, the family wonders if they’ll ever be able to filter out the truth.”

2018 Relentless Award Semifinalist and poet-playwright makes her Public Theater debut with CULLUD WATTAH directed by Lilly Award winner Candis C. Jones; the cast includes Deonna Bouye (Marion), Alana Raquel Bowers (Reesee), Caroline Stefanie Clay (Big Ma), Nikiya Mathis (Ainee), and Kara Young (Plum).

The creative team includes Production Stage Manager Gregory Fletcher, Stage Manager Priscilla Villanueva, and Movement Director Adesola Osakalumi. Along with scenic design by Arnulfo Maldonado, Costume Design by Ntokozo Fuzunina Kunene, lighting Design by Jeanette Oi-Suk Yew, and sound design by Megan Culley

We believe in this work so much we’re giving away 4 tickets to the performances on March 10th. 2 tickets to the matinee and two the evening performance thanks to our founder Drew Shade and actress/playwright Jocelyn Bioh. Go to our Instagram to find out how!

Also, find out more about how you can help the Flint Water Crisis and support this show HERE.

Listen to Erika talk about her work on an episode of Off Book Podcast below

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Events and Happenings

Surely Goodness and Mercy by Chisa Hutchinson Begins Off-Broadway

Broadway Black

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Performances begin today, Tuesday February 26th, for the New York premiere of  Surely Goodness and Mercy, presented by Keen Company. A story about an exceptional boy living a troubled life in Newark, NJ who does a good deed for an often unnoticed person.   Sarita Covington, Jay Mazyck, Brenda Pressley, Courtney Thomas, and Cezar Williams star under Jessi D. Hill’s direction.

Set in an under-funded public school in Newark, Surely Goodness and Mercy by rising playwright Chisa Hutchinson, tells the story of a bible-toting boy with a photographic memory who befriends the cantankerous old lunch lady. Against all odds, Tino and Bernadette help each other through the mess of growing up and growing old.  

Surely Goodness and Mercy has spent the last year charming audiences across the country: “Notably absent from Hutchinson’s frank and sobering story: cynicism” – Chicago Reader; “(Surely Goodness and Mercy has) a soul-stirring quality, touching audiences with its sincerity” – Daily Utah Chronicle; “it’s impossible not to like it” – The Salt Lake Tribune. Now, Keen is honored to bring this big-hearted new play to New York for the first time.

Performances for this limited Off-Broadway engagement of Surely Goodness and Mercy will continue through Saturday, April 13th only, with opening night set for Wednesday, March 13th.

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