Photo by Lelund Durond for Broadway Black
The Broadway For Black Lives Matter electric sensation felt at the Roone Arledge Auditorium at Columbia University this past Monday was undeniably an authentic result of the power of unity. It was arguably one of the few spaces, if not the first, where Broadway stars, fans, music icons, and social justice advocates all joined together to discuss a plan for change in relation to the Black Lives Matter Movement. This event confirmed the importance of Broadway Black royalty at BWAY4BLM, operating as our key ingredient to the formula needed for change.
It is no secret that we all have something distinct to offer mankind. What we love to do and who we are explains this philanthropy quite well. That might be the ability to bring people together through music, playing an instrument or singing, and another by the ability to unify others with an inspirational speech or dance, or expression of ideas in a panel discussion. Either way, by opening a discussion between these parties, we are able to stress the importance of everyone working together by bringing their most prized and honorable feature to an event like BWAY4BLM.
With that in mind, I have been reimagining Ledisi’s rendition of the timeless “A Change Is Gonna Come” (by Sam Cooke), all week long. Her triumphant attitude paired with the audience’s irresistible hand raising and forceful movements was simply a transfer of energy. She imparted her power, success, and royalty to every person who tuned in. In fact, all of our participants added their respective talent as a contribution for change in an atmosphere that makes our idea of an equal society more tangible.
These voices: Audra McDonald, Brian Stokes Mitchell, Cynthia Erivo, India.Arie, Billy Porter, Ledisi, and Professor Frank Roberts have bridged the gap between people unconnected (for their own personal reasons) to the BLM movement. They’ve immersed the people who are uninvolved, uninterested, or unmoved by the countless deaths of innocent Black citizens in the discourse of human rights.
Our royalty has made the discourse of Black inclusion a coherent one, which was indigenous to their artistry. And as the art separately in its own division affects the non-supporters of the movement, so does the social platform for justice. That is because the platform is inherent to the artist, which is to say that they’ve skillfully justified Black Lives Matter in front of these uninterested crowds by solely intending to produce art. The same voice/s heard among a wide and diverse population has proven worthy and strong to the point of advocating for change. And during the time of the event, and before, even, our heroes named royalty used their success as a mode of education and communication toward ignorant US citizens who only set out to revere and respect their art.
The idea of opening up conversation and providing as many outlets and opportunities for viewership, involvement, and reflection is invaluable and could not have been done without individuals who are already admired for their accomplishments thus far. Our efforts in organizing this event has traveled far outside the country, beyond the four walls, into the homes of white music fans, and musical theatre kids, producers, journalists, professors, stage managers, make up artists and stylists, script consultants, presidents, colleagues, accountants, and any professional with connections to our artists. We offer our deepest thanksgiving to the commitment of our bold, beautiful, Broadway Black royalty, and on behalf of the team, thank you.
Once On This Island’s Hailey Kilgore Will Make Her Solo Concert Debut!
Tony & Grammy Nominee Hailey Kilgore will make her solo concert debut at Feinstein’s/54 Below this month! The Once On This Island star makes her debut following the closing of the Tony-winning revival, and she’s clearly got more stories to tell!
The concert entitled Mirrors is a night of celebration including the music that has influenced her meteoric rise. On January 30th 9:30 pm she shares her personal life story as a young girl to a young woman on the Broadway stage.
The 19-year-old vocalist has a set list that ranges from Jason Robert Brown to Alicia Keys. One thing we can say is that this show will sell out! So, stop waiting for life to begin and mark your calendars.
Sydnee Winters returns to The Lion King on Broadway
Sydnee Winters is back in the Shadowland at the Minskoff Theatre. Winters is returning to The Lion King in the role in which she made her Broadway debut. Taking over the role of Nala, from Adrienne Walker, who left the production to appear in the forthcoming Kiss Me, Kate revival.
Winters’ other Broadway credits include Pippin, Motown The Musical, and Hamilton. She’s back in the role after five years away from it. Having had this time to grow and have other experiences beyond the show, she’s back and she’s better! You can catch her on Broadway right now!
Included in the current cast is are Bradley Gibson as Simba, L. Steven Taylor as Mufasa, Tshidi Manye as Rafiki, Ben Jeffrey as Pumbaa, Fred Berman as Timon, Stephen Carlile as Scar, Bonita J. Hamilton as Shenzi, Mikee Castillo and Demi Singleton as Young Nala, Kenneth Aikens and Joshua Dubose as Young Simba,
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