The classic rock opera, Jesus Christ Superstar will be produced at Chicago’s Paramount theater in its Broadway season finale. This 1970s musical explores the last seven days and the internal struggles of none other than Jesus Christ. The classic has been put on in 31 countries with many talented ensembles, however, Chicago is surely going to be memorable. Paramount Theater will feature an all Black cast lead by theater veteran Destan Owens as Jesus of Nazareth. Owens has been seen by Broadway audiences in productions such as Chicago (Billy Flynn), Rent (Tom Collins), Smokey Joe’s Cafe (Adrian) but also some movie and small screen appearances in “Across the Universe” and TV’s “30 Rock”.
Owens is joined by Mykal Kilgore as Judas Iscariot, Felicia Boswell (Mary Magdalene), Rufus Bonds Jr. (Pontius Pilate), Avionce Hoyles (King Herod/Annas) and Lorenzo Rush jr. (Caiaphas).
Not only will the show have an amazing cast but director and producer Ron Kellum is making his Paramount theater debut. Kellum has a wide range of credits under his directing belt including Rent, The Color Purple, Dreamgirls, and Joseph and The Amazing Technicolor Dreamcoat. Kellum also staged the NFL 2017 Pro Bowl half time show. The show will also feature Paramount familiars, Tom Vendafreddo and Kory Danielson as co-music directors leading a 14 piece rock band.
According to Showbiz Chicago, Kellum said,
“Why an all-Black Superstar? ‘Why not’ Our responsibility as storytellers is to find ways to represent truth in ways that translate to every audience no matter of color, creed, orientation or status This will be a soul stirring experience!”
The ensemble features Stephen “Blu” Allen, Jos N. Banks, Ciera Dawn, Gilbert Domally, Candace C. Edwards, Jared D.M. Grant, Keirsten Hodgens, Mark J.P. Hood, Reneisha Jenkins, Micheal Lovette, Evan Tyrone Martin, Gabriel Mudd, Brian Nelson Jr., Renelle Nicole, Jaymes Osborne, Kafi Pierre, Jon Pierce, Travis Porchia, Camille Robinson, Alexis J. Roston and Jessica Brooke Seals.
Catch the show April 19th – through May 28 at the Paramount Theatre, 23 E. Galena Blvd. in Aurora.
The Public Theater Will Present Hercules Musical & Hercules Is Black!
We knew it was coming, we just didn’t know when. Back in 2017, we reported that a musical adaptation of the Disney movie Hercules would be headed to Broadway. Now we can confirm that is somewhat true.
Hercules will be the latest Disney musical to be made for the stage and will play Off-Broadway at the Public Theater’s Delacorte Theater in Central Park. As the final show of the Shakespeare in the Park season theater season performances will run August 31 through September 8 with a reading set to take place in April.
The role of Hercules will be played by a Black actor, according to the casting notice
The musical will include the Oscar-nominated “Go the Distance, along with other songs from the 1997 animated film by Alan Menken & David Zippel. Presented through an arrangement with Disney Theatrical Productions, the show will be directed by Lear deBessonet. The creative team also includes a book by Kristoffer Diaz, & choreography by Chase Brock.
Before Hercules, Kenny Leon will direct the Much Ado About Nothing May 21 through June 23 to begin the Shakespeare in the Park season.
Casting for all both productions will be announced at a later date
Lynn Nottage Today, Tomorrow and Beyond
Lynn Nottage’s 2017 Tony Award nominated play Sweat ended its Broadway run at Studio 54 on June 25. We weren’t ready to say goodbye to Sweat, and we’re definitely not ready to say goodbye to Lynn Nottage, leaving us to wonder what’s next for the two-time Pulitzer prize-winning playwright?
First, if you didn’t get a chance to see Sweat on Broadway or if you did but can’t get one of the poorest cities in America off your heart and mind, then you’ll want to visit Reading, Pennsylvania this summer. Shortly after finishing Sweat, Nottage came up with the idea for a site-specific performance installation honoring the people of Reading. Nottage shared that for a city divided by economical and racial politics, she wanted to highlight the city’s potential to use art and culture to bring its citizens together. The installation titled This is Reading will weave “individual stories into one cohesive and compelling tale of the city. Exploring the various viewpoints of the diverse community, [and] give the audience a vibrant and unique perspective of the city of Reading.” The installation will utilize live performance, visual media, and film. Located at Franklin Street Station, Reading PA, This is Reading will run July 14-16, July 21-23 and July 28-30.
What could possibly be next for Nottage? A musical of course!
Not just any musical, but an adaptation of Sue Monk Kidd’s book, The Secret Life of Bees. Book by Nottage, music by Duncan Sheik (Spring Awakening), lyrics by Susan Birkenhead (Jelly’s Last Jam) and direction by Sam Gold (Fun Home).
Nottage’s first musical follows the story of Lilly Owens, a white teen growing up in 1960’s South Carolina and her Black caretaker Rosaleen. After Rosaleen is hospitalized following an attempt to vote, she and Lily do their best to escape the harsh realities of their respective lives in the Jim Crow South, and happen upon a bee farm. “It sang to me” Nottage said of adapting Kidd’s book to a musical, “Every page I saw a song.”
The Secret Life of Bees will be presented as a workshop production at the Powerhouse Theater from July 27-29, apart of the New York Stage and Film’s 2017 season.
Finally, for the 2017/2018 season, Nottage’s play Mlima’s Tale will make it’s world premiere at The Public Theater and run from March 27 through May 20, 2018. Mlima’s Tale follows the story of Mlima, an african elephant caught between freedom and the
international ivory black market. Ultimately a story about trade itself, “Mlima leads us through memory and fear, history and tradition, want and need, and reveals the surprising and complicated deals that connect us all.” Next season, The Public will celebrate 50 years at its Astor Place location, and Lynn Nottage will be the only Black playwright with work presented.
From a site-specific performance installation, to her first musical, ending with another show at The Public Theater… Lynn Nottage has given us a lot to look forward to following her Broadway debut, and we will be ready. Sitting front and center.
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