Today is bittersweet as we say farewell to one of our most beloved shows, the Broadway hit musical Shuffle Along, Or The Making of the Musical Sensation of 1921 and All That Followed. Today the show officially ends its run after playing 38 previews and 100 regular performances.
I must admit, going down 45th street won’t fill me with the butterflies like it did earlier in the year, but I am glad I got to experience that feeling. To know what could be, and how we can continuously work towards making it the norm.
Why life’s but a chance and when time comes to choose,
If you lose, don’t start singing the blues,
But just you Shuffle Along, and whistle a song,
Why sometimes a smile will right every wrong,
Keep smiling and Shuffle Along
The lyrics of the title song, “Shuffle Along”, are perhaps some of the most profound words of advice a show can offer. It’s always a downer when shows close on Broadway, and there are a multitude of factors that go into a show’s closing. However, it doesn’t hurt any less when a show you loved and adored leaves way too soon. But, like the lyrics of the song suggest, “keep smiling and Shuffle Along.”
Shuffle Along, Or The Making of the Musical Sensation of 1921 and All That Followed stars Tony Award winners Audra McDonald, Brian Stokes Mitchell and Billy Porter. The cast of 34 is rounded out by Tony Award nominees Joshua Henry, Brandon Victor Dixon and Adrienne Warren, and features Broadway Black’s Off-Book The Theatre Podcast host Amber Iman. It was also nominated for several Tonys including Best Musical and also earned George C. Wolfe a Tony nomination for Best Book and Best Direction of a Musical, Ann Roth for Best Costume Design, Jules Fisher and Peggy Eisenhower for Best lighting Design, Daryl Waters for Best Orchestration and Savion Glover a for Best Choreography.
Still keeping our hopes alive for a cast recording, but till next time dear friends! May God be swift employment and plenty of memories to last a lifetime!
Get Your War Clothes On: Billy Porter Energizes in GLAAD Acceptance Speech
So, I have a question.
In the same line of thought as “innocent until proven guilty,” do we grant the assumption of positive intent in our expectations of our brothers and sister in regards to woke-ness, à la woke until proven problematic?
Now don’t get me wrong, there was no doubt in my heart that Tony and Grammy Award-winner, Billy Porter, was woke. Nope, none. What I wasn’t ready for, was the way he fixed his fingers to pen one of the greatest acceptance speeches of my lifetime, and how he turned the Gospel classic “I Don’t Feel No Ways Tired” into a battle song.
The 28th Annual GLAAD Media Awards honored Billy Porter with the Vito Russo Award, presented to an openly LGBTQ media professional who has made a significant difference in promoting equality and acceptance.
He started by affirming the room full of members of marginalized communities, with my personal daily mantra: “You are enough. we are enough.”
Since the beginning of time artists are the folks who engage critically and encourage those who think they are powerless to question the status quo.
Brothers and sisters across the room leaned in.
The days of shut up and sing are over.
Alliteration informed and illustrated as Porter preached on remaining “vigilantly visual” as we tell our stories. Acknowledging the reality of our times, he spoke on Number 45:
Where they slipped up this time is in that declaration of war. It’s not only against Black and Brown people and Queer people anymore, it’s against ALL of us. And as a result, the good news is: white folk, and straight folk, and all those fierce women folk, are mad now. And NOW maybe something might get done!
Get. Your. War. Clothes. On.
From slavery to emancipation, to the 13th Amendment, to Jim Crow, to the Civil Rights Movement. From Stonewall to AIDS, to marriage equality— we gotta remember the shoulders who we stand on—the ones who fought and died for those freedoms that we hold so dear. Let’s use these historical strides we’ve made as a nation to empower us as warriors on this battlefield of equality.
Until we can figure out how to love one another unconditionally, no one wins. Freedom. Equality. Justice. Have always come at a cost and evidently the always will.
If that’s not the truth.
Stay strong. Stay vigilante. Stay visible. Stay hopeful. Stay focused. Be brave. Be fierce.
For a full list of this year’s winners, honorees, and guests, visit GLAAD.
Jazmine Sullivan: The Next Singer-Songwriter To Write A Broadway Musical?
We recently caught up with Jazmine Sullivan at The HeLa Project, a multimedia exhibition inspired by the HBO film, The Immortal Life of Henrietta Lacks.
Like the rest of us, Jazmine is in awe of the under-told story of Henrietta Lacks and her instrumental role in modern medicine. We further asked about why she got involved with the project and she said: “Anyway I can give light to an extraordinary woman like that, I’m there.”
Some of the integral women in bringing this story to light have their roots in Broadway: Tony Award-winning producer Oprah Winfrey, who not only stars in the film, but also credited as executive producer, and Tony Award winner Renée Elise Goldsberry, who portrays the title character.
We wouldn’t be Broadway Black if we didn’t keep it real.
Let’s be honest, we can’t get enough of 11-year-old Jazmine singing “Home” like she wrote the piece, so we got to asking, and it turns out Jazmine wouldn’t mind putting her pen to paper to create a musical for the Broadway stage.
She said performing on Broadway isn’t in the plans for the near future but, “You never know! I love writing and creating characters!”
God!? Oprah!?!? Stephen Byrd & Alia Jones-Harvey?!?! Who’s going to snatch this up?
Until then, it sounds like we have some new music to expect. What kind of musical would you like to see from Ms. Sullivan? Sound off below in the comments!
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