The Obie Awards, presented by The Village Voice, are annual awards given out for the best of Off-Broadway and Off-off-Broadway theatre. On May 23, the 61st annual ceremony was held at Webster Hall in New York City. It was hosted by “Orange is the New Black’s” Lea DeLaria. Watch the entire show below.
There was a ton of Broadway Black talent in the room; including presenters Savion Glover, Norm Lewis and Danai Gurira. Hamilton’s Leslie Odom Jr. gave a performance of “Without Out” to honor theatre artists who were lost this year.
The very first award of the night went to Dominique Morisseau and Ruben Santiago-Hudson for their brilliant collaboration on Skeleton Crew! Other Winners included Tamara Tunie for her work in Danai Gurira’s Familiar, Khris Davis for his incredible performance in The Royale and Carmen de Lavallade received the Lifetime Achievement Award for her work in the arts.
Here is a full list of the night’s honorees!
Best Collaboration: Dominique Morisseau and Ruben Santiago-Hudson (Skeleton Crew)
Honored for puppet design: James Ortiz (The Woodsman)
Honored Performers: Ben Platt (Dear Evan Hansen), Tamara Tunie (Familiar), Lucas Caleb Rooney (Red Speedo), Jayne Houdyshell (The Humans), Khris Davis (The Royale), Emily Donahoe (The Christians), Georgia Engel (John), Omar Metwally (Guards at the Taj), Arian Moayed (Guards at the Taj),
Honored Playwrights: Lucas Hnath (The Christians and Red Speedo), Stephen Karam ( The Humans),
Honored for Lifetime Achievement: A.R. Gurney
Sustained Excellence of Set Design: Rachel Hauck
Sustained Excellence of LightingDesign: Jason Lyons
Sustained Excellence of Sound Design: Bray Poor
Sustained Excellence of Costume Design: Kaye Voyce
Design Team: Annie Baker, Sam Gold, Mark Barton (John)
Honored for Directing: Rachel Chaikin (The Royale), Michael Leibenluft (I’ll Never Love Again)
Musical Theatre: Steven Levenson and Benj Hasek, Justin Paul (Dear Evan Hansen)
Ensemble Performance: Lupita Nyong’o, Zaina Ja, Pascale Armand, Akosua Busia, Saycon Sengbloh (Eclipsed)
Ross Wetzsteon Award: National Asian-American Theatre Company
Obie Grant: Prospect Theater (Cara Reichel and Melissa Huber), Noor Theater, Bedlam Theater
Best New American Play: Guards at the Taj (Rajiv Joseph)
Special Citations: Mimi Lien (John), Noah Mease (John), Ásta Bennie Hostetter (John),
Collecting Our Things: Black Excellence Dominates the 2017 Oscars
If you weren’t lucky enough to get snuck in through the side door at the 89th Academy Awards Ceremony, I’ll give you the Broadway Black rundown. With Moonlight taking the big Oscar of the night, it seems The Academy heard us loud and clear when we demanded they give us our things, and I’m glad.
Watch highlight videos below! #TourBusGary, Viola, Mahershala, & Moonlights acceptances speeches, and more!
Although I do have some complaints I’d like to file regarding Ms. Taraji P. Henson and Mr. Denzel Washington, but that’s for another time.
The night began with Mahershala Ali winning Best Supporting Actor for his role as Juan in Moonlight. Mahershala celebrated many firsts on Oscar night: his first nomination and his first win. While many laud Ali for being the first Muslim actor to win an Oscar, his acceptance speech focused on his mentors, education, and his new baby girl.
“I want to thank my teachers, my professors. I had so many wonderful teachers, and one of the things they told me was…it’s not about you, it’s about these characters. You’re in service to these stories and these characters.”
Image: Marcus Yam/Los Angeles Times
Moonlight celebrated Mahershala’s win and later took home Best Picture (after a perplexing mix-up with La La Land – see blow) and Best Adapted Screenplay. The creators and cast of Moonlight echoed Mahershala’s message of representation. In their acceptance speech for Best Adapted Screenplay, Tarell Alvin McCraney and Barry Jenkins pledged to defend those who don’t fit the mold:
“All you people out there, who feel like there’s no mirror for you or your life is not reflected. We have your back and for the next four years, we will not leave you alone. We will not forget you.”
Image: Kevin Winter/Getty
Jenkins’ words echoed the community and perseverance that Moonlight celebrates. His victory for his second feature film alone is a testament to the spirit of perseverance. His first feature film, the highly acclaimed Medicine for Melancholy, premiered in 2008. Jenkins speaks openly of the discouragement he felt in this eight-year gap, where, at times, he thought his career was at an end. But just like Jenkins couldn’t dodge that Best Picture Oscar, he couldn’t dodge his calling, and I couldn’t be more pleased.
Another highlight in that same speech came from McCraney, who is the playwright of In Moonlight Black Boys Look Blue of which the film is based. He said:
“This goes out to all those black and brown boys and girls and non-gender-conforming who don’t see themselves, we’re trying to show you you and us. Thank you, thank you. This is for you.”
Further celebrating a night of untold stories, NASA’s Katherine Johnson joined the Hidden Figures cast on stage. With the grace of a thousand Dianas, Viola Davis accepted the award for Best Supporting Actress for her portrayal of Rose in Fences. Her performance, which earned her a Tony for Best Actress in 2010, resonated with women and defined resilience to men.
We know Viola from Broadway and How to Get Away With Murder, but tonight she made history as the first Black actor to take home an Emmy, Tony, and Oscar for acting. Her role in Fences gives glory to the ordinary, and her speech showed her pride in that fact.
Now, about that Best Picture Oscar. Still can’t believe this actually happened. There are no words to describe what the conflicting feelings of confusion & joy bottled and shaken up, on the brink of explosion, actually feels like but here it is in video form:
As I cheered along, I thought of the power of ordinariness in Black communities. The legacy of Blackness exudes strength and resilience, but we should remember that excellence isn’t isolated to any tax bracket.
Audiences found power in Viola Davis’ Rose because August Wilson did not see powerful and ordinary as mutually exclusive. It is vital, especially today, that the Fences and Hidden Figures and Moonlights empower us.
These films tell the story of those perceived as ordinary, simply because the people looking had a singular point of view. So, yes, tonight was for Viola and her staple in history, for Mahershala and Moonlight collecting their things, and even for Denzel and Ruth Negga, no matter what The Academy says.
But even more, tonight was for the ordinary people who are, in fact, excellent and Broadway Black.
View the full list of winners at Oscar.
& the funniest moment of the night that we just can’t seem to get over. Watch #TourBusGary become a meme right in front of your eyes:
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