Broadway superstar Audra McDonald, Tony Award winner Chuck Cooper, multi-faceted performer and star of The Trip to Bountiful Vanessa Williams, and Newsies star Capathia Jenkins will trade in their plush linens and bedding for a piece of cardboard and a sleeping bag on a concrete sidewalk to raise funds for homeless youths. These stars, and many other members of the theatrical community, will participate in the third annual Sleep Out: Broadway Edition, a one-night-only event sponsored by Covenant House International on August 17.
Want me 2 sing 2 u? Or have hot chocolate w/me? All while helping @CovenantHouse kids? Check out my sleep out page! http://t.co/Mc3otMO7iT
In addition to McDonald, many other Broadway actors will sleep out, including Lisa Dawn Clark, Terren Wooten Clark, Eddie Cooper, Lilli Cooper, Aisha de Haas, Darius de Haas, Dionne Figgins, Kevin R. Free, Dana Marie Ingraham, Tamika Lawrence, Miguel Edson, Maurice Murphy, John Eric Parker, and Todd Pettiford. All participants are stars of Broadway, Off-Broadway, or Broadway tour productions.
This is McDonald’s second year participating in the event. Although Sleep Out: Broadway Edition takes place on August 17, she will sleep outside in solidarity with homeless youth on November 19, following the annual Candlelight Vigil for Homeless Youth in Times Square. McDonald serves on the executive committee and the board of Covenant House International. Jenkins (Newsies, Caroline, or Change) and Darius de Hass (Kiss of the Spiderwoman, Carousel (revival), Rent) are both third-year participants in the event and serve on the executive committee as well.
To see the impact that Sleep Out has, Jenkins takes viewers on a tour through the neighborhood of “The Cov,” the reality of the night, and the impact of the Sleep Out.
Covenant House is the largest privately funded agency in the Americas providing food, shelter, immediate crisis care, and essential services to homeless youth in 27 cities throughout the United States, Canada and Latin America. According to the organization, the funds raised by Sleep Out participants are put to work immediately, keeping the lights on and the doors open for more than 57,000 kids who will seek help this year.
For more information and to donate to your favorite Broadway star, visit www. sleepout.org.
Collecting Our Things: Black Excellence Dominates the 2017 Oscars
If you weren’t lucky enough to get snuck in through the side door at the 89th Academy Awards Ceremony, I’ll give you the Broadway Black rundown. With Moonlight taking the big Oscar of the night, it seems The Academy heard us loud and clear when we demanded they give us our things, and I’m glad.
Watch highlight videos below! #TourBusGary, Viola, Mahershala, & Moonlights acceptances speeches, and more!
Although I do have some complaints I’d like to file regarding Ms. Taraji P. Henson and Mr. Denzel Washington, but that’s for another time.
The night began with Mahershala Ali winning Best Supporting Actor for his role as Juan in Moonlight. Mahershala celebrated many firsts on Oscar night: his first nomination and his first win. While many laud Ali for being the first Muslim actor to win an Oscar, his acceptance speech focused on his mentors, education, and his new baby girl.
“I want to thank my teachers, my professors. I had so many wonderful teachers, and one of the things they told me was…it’s not about you, it’s about these characters. You’re in service to these stories and these characters.”
Image: Marcus Yam/Los Angeles Times
Moonlight celebrated Mahershala’s win and later took home Best Picture (after a perplexing mix-up with La La Land – see blow) and Best Adapted Screenplay. The creators and cast of Moonlight echoed Mahershala’s message of representation. In their acceptance speech for Best Adapted Screenplay, Tarell Alvin McCraney and Barry Jenkins pledged to defend those who don’t fit the mold:
“All you people out there, who feel like there’s no mirror for you or your life is not reflected. We have your back and for the next four years, we will not leave you alone. We will not forget you.”
Image: Kevin Winter/Getty
Jenkins’ words echoed the community and perseverance that Moonlight celebrates. His victory for his second feature film alone is a testament to the spirit of perseverance. His first feature film, the highly acclaimed Medicine for Melancholy, premiered in 2008. Jenkins speaks openly of the discouragement he felt in this eight-year gap, where, at times, he thought his career was at an end. But just like Jenkins couldn’t dodge that Best Picture Oscar, he couldn’t dodge his calling, and I couldn’t be more pleased.
Another highlight in that same speech came from McCraney, who is the playwright of In Moonlight Black Boys Look Blue of which the film is based. He said:
“This goes out to all those black and brown boys and girls and non-gender-conforming who don’t see themselves, we’re trying to show you you and us. Thank you, thank you. This is for you.”
Further celebrating a night of untold stories, NASA’s Katherine Johnson joined the Hidden Figures cast on stage. With the grace of a thousand Dianas, Viola Davis accepted the award for Best Supporting Actress for her portrayal of Rose in Fences. Her performance, which earned her a Tony for Best Actress in 2010, resonated with women and defined resilience to men.
We know Viola from Broadway and How to Get Away With Murder, but tonight she made history as the first Black actor to take home an Emmy, Tony, and Oscar for acting. Her role in Fences gives glory to the ordinary, and her speech showed her pride in that fact.
Now, about that Best Picture Oscar. Still can’t believe this actually happened. There are no words to describe what the conflicting feelings of confusion & joy bottled and shaken up, on the brink of explosion, actually feels like but here it is in video form:
As I cheered along, I thought of the power of ordinariness in Black communities. The legacy of Blackness exudes strength and resilience, but we should remember that excellence isn’t isolated to any tax bracket.
Audiences found power in Viola Davis’ Rose because August Wilson did not see powerful and ordinary as mutually exclusive. It is vital, especially today, that the Fences and Hidden Figures and Moonlights empower us.
These films tell the story of those perceived as ordinary, simply because the people looking had a singular point of view. So, yes, tonight was for Viola and her staple in history, for Mahershala and Moonlight collecting their things, and even for Denzel and Ruth Negga, no matter what The Academy says.
But even more, tonight was for the ordinary people who are, in fact, excellent and Broadway Black.
View the full list of winners at Oscar.
& the funniest moment of the night that we just can’t seem to get over. Watch #TourBusGary become a meme right in front of your eyes: