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Is that a new role, Aaron Burr, Sir? Brandon Victor Dixon Joins Power

Jerrica White

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The streets of 45th may no longer be paved in gold, but the we continue to see full-blown streaks of the silver lining in life post Shuffle AlongTony nominated Brandon Victor Dixon, who is currently starring as Aaron Burr in the Broadway production of Hamilton, is taking his talents to the small screen. Dixon joins the fourth season of “Power” as Terry Silver, an attorney that raises a suspicious brow to Ghost’s (Omari Hardwick) criminal activity.

Produced by Curtis Jackson (50 Cent) and created by Courtney A. Kemp, “Power” has become the most popular show on the STARZ network and currently competes for the Sunday night entertainment slot in the house of many. The fourth season is slated to air Summer 2017 and picks up after the arrest of James St. Patrick/ Ghost by his ex-mistress, Assistant US Attorney Angela Valdez (Lela Loren). Yikes. #TeamTasha

It might just be me, but “Power” was starting to take a stroll down This Is Too Much Boulevard. I’m hoping the addition of new recurring characters will give the series a breath of fresh air. Speaking of fresh air, shout out to Broadway Black favorite and Tony winner, Anika Noni Rose, for staking her claim in this mega hit series with a stunning debut in season 3 as the crooked cop, Jukebox.

The world proves to be wide enough. Let’s continue to support black theatre and black television. Congrats, Brandon!

BVD received a 2016 Tony nomination for Best Performance by an Actor in a Featured Role in a Musical for his role as Eubie Blake in Shuffle Along, Or the Making of the Musical Sensation of 1921 and All That Followed. A member of the Original Broadway Cast of The Color Purple, he received a Tony nod for his portrayal of Harpo. Other notable work includes: Motown: The Musical and Scottsboro Boys.

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The Public Theater Will Present Hercules Musical & Hercules Is Black!

Drew Shade

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The Muses via Hercules film

We knew it was coming, we just didn’t know when. Back in 2017, we reported that a musical adaptation of the Disney movie Hercules would be headed to Broadway. Now we can confirm that is somewhat true.

Hercules will be the latest Disney musical to be made for the stage and will play Off-Broadway at the Public Theater’s Delacorte Theater in Central Park. As the final show of the Shakespeare in the Park season theater season performances will run August 31 through September 8 with a reading set to take place in April.

The role of Hercules will be played by a Black actor, according to the casting notice

The musical will include the Oscar-nominated “Go the Distance, along with other songs from the 1997 animated film by Alan Menken & David Zippel. Presented through an arrangement with Disney Theatrical Productions, the show will be directed by Lear deBessonet.  The creative team also includes a book by Kristoffer Diaz, & choreography by Chase Brock.

Before Hercules, Kenny Leon will direct the Much Ado About Nothing May 21 through June 23 to begin the Shakespeare in the Park season.

Casting for all both productions will be announced at a later date

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Lynn Nottage Today, Tomorrow and Beyond

Broadway Black

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Lynn Nottage’s 2017 Tony Award nominated play Sweat ended its Broadway run at Studio 54 on June 25. We weren’t ready to say goodbye to Sweat, and we’re definitely not ready to say goodbye to Lynn Nottage, leaving us to wonder what’s next for the two-time Pulitzer prize-winning playwright?

First, if you didn’t get a chance to see Sweat on Broadway or if you did but can’t get one of the poorest cities in America off your heart and mind, then you’ll want to visit Reading, Pennsylvania this summer. Shortly after finishing Sweat, Nottage came up with the idea for a site-specific performance installation honoring the people of Reading. Nottage shared that for a city divided by economical and racial politics, she wanted to highlight the city’s potential to use art and culture to bring its citizens together. The installation titled This is Reading will weave “individual stories into one cohesive and compelling tale of the city. Exploring the various viewpoints of the diverse community, [and] give the audience a vibrant and unique perspective of the city of Reading.” The installation will utilize live performance, visual media, and film. Located at Franklin Street Station, Reading PA, This is Reading will run July 14-16, July 21-23 and July 28-30.

What could possibly be next for Nottage? A musical of course!

Not just any musical, but an adaptation of Sue Monk Kidd’s book, The Secret Life of Bees. Book by Nottage, music by Duncan Sheik (Spring Awakening), lyrics by Susan Birkenhead (Jelly’s Last Jam) and direction by Sam Gold (Fun Home).

Nottage’s first musical follows the story of Lilly Owens, a white teen growing up in 1960’s South Carolina and her Black caretaker Rosaleen. After Rosaleen is hospitalized following an attempt to vote, she and Lily do their best to escape the harsh realities of their respective lives in the Jim Crow South, and happen upon a bee farm. “It sang to me” Nottage said of adapting Kidd’s book to a musical, “Every page I saw a song.”

The Secret Life of Bees will be presented as a workshop production at the Powerhouse Theater from July 27-29, apart of the New York Stage and Film’s 2017 season.

Finally, for the 2017/2018 season, Nottage’s play Mlima’s Tale will make it’s world premiere at The Public Theater and run from March 27 through May 20, 2018. Mlima’s Tale follows the story of Mlima, an african elephant caught between freedom and the

Courtesy of The Public Theater

international ivory black market. Ultimately a story about trade itself, “Mlima leads us through memory and fear, history and tradition, want and need, and reveals the surprising and complicated deals that connect us all.” Next season, The Public will celebrate 50 years at its Astor Place location, and Lynn Nottage will be the only Black playwright with work presented.

From a site-specific performance installation, to her first musical, ending with another show at The Public Theater… Lynn Nottage has given us a lot to look forward to following her Broadway debut, and we will be ready. Sitting front and center.

 

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Twitter: @BroadwayBlack

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