Connect with us

Awards Nominees & Winners

Auditions in Black and White

Broadway Black

Published

on

Casting Director Tracy “Twinkie” Byrd, in an interview given to Black Enterprise Magazine in 2012, suggests that there are some best practices with respect to auditions that naturally work in a Black theatre performer’s favor, and some rules that may take a little practice. Ms. Byrd’s first tip is that the performer be him- or herself. For the Black theatre artist, this means finding an internal balance with the drive that got you to the audition and an external balance given the need to stand out and get the callback.

Twinkie, who cast the late Whitney Houston’s last movie, “Sparkle,” as well as the films “Notorious” and “Stomp the Yard,” also encourages Black artists to know their craft. For Ms. Byrd, this means knowing your history and where the contemporary artist stands in relation to all those who came before. Ms. Byrd’s last piece of advice is for the artist to give him- or herself a break and acknowledge at the end of the audition that a best effort was given and to say “you’re welcome,” when thanked for coming in. Most artists stay in ingratiating mode and simply say, “no, thank YOU,” but Twinkie, who is credited with launching the careers of Laz Alonso and Michael Kenneth Williams, encourages artists not to gloss over the fact that “you’re welcome” is self-affirmation of a job well-done.

Actor Anthony Mackie has spoken on the “importance of being a Black actor and the importance of theater to an actor” in an article featured in the Guardian in 2011. After a turn on Broadway in “A Behanding in Spokane,” Mr. Mackie took a hit from Black writer and New Yorker theater critic Hilton Als, who stated candidly: “The sad fact is that, in order to cross over, most black actors of Mackie’s generation must act Black before they’re allowed to act human.” Mackie’s advice is to think beyond someone else’s definition of you as an artist because, “you can’t limit yourself.”

And then of course, there’s that ‘drops mic’ moment detailed by the NY Times blog in 2012, given to us by Lady Vi, Ms. Viola Davis, on the Tavis Smiley show, when he expressed “ambivalence” over the movie, “The Help.” Ms. Davis, with the dignity and humanity she brings to every role, illustrated why she should be allowed to write roles as well as act them. She offers: “That very mindset that you have, and that a lot of African-Americans have, is absolutely destroying the Black artist,” she said. “The Black artist cannot live in a revisionist place,” she added. “The Black artist can only tell the truth about humanity, and humanity is messy. People are messy. Caucasian actors know that. We as African-American artists are more concerned with image and message and not execution.” With that, Viola tells artists to focus on craft, as only someone who has been doing so for decades can.

Finally, a rule for the artist in us all, straight out of the mouths of babes as detailed on BlackCelebKids.com from an interview with Backstage.com. Yara Shahidi (Black-ish) brings us full circle with: “Never jeopardize who you are for a role.” Artists would be wise to heed these words of the successful young artist and not trade one’s “moral compass, or anything like that, to have a role.”

Continue Reading
Advertisement
Comments

Awards Nominees & Winners

Collecting Our Things: Black Excellence Dominates the 2017 Oscars

Broadway Black

Published

on

If you weren’t lucky enough to get snuck in through the side door at the 89th Academy Awards Ceremony, I’ll give you the Broadway Black rundown. With Moonlight taking the big Oscar of the night, it seems The Academy heard us loud and clear when we demanded they give us our things, and I’m glad.

Watch highlight videos below! #TourBusGary, Viola, Mahershala, & Moonlights acceptances speeches, and more!

Although I do have some complaints I’d like to file regarding Ms. Taraji P. Henson and Mr. Denzel Washington, but that’s for another time.

The night began with Mahershala Ali winning Best Supporting Actor for his role as Juan in Moonlight. Mahershala celebrated many firsts on Oscar night: his first nomination and his first win. While many laud Ali for being the first Muslim actor to win an Oscar, his acceptance speech focused on his mentors, education, and his new baby girl.

“I want to thank my teachers, my professors. I had so many wonderful teachers, and one of the things they told me was…it’s not about you, it’s about these characters. You’re in service to these stories and these characters.”

 (Marcus Yam / Los Angeles Times)

Image: Marcus Yam/Los Angeles Times

Moonlight celebrated Mahershala’s win and later took home Best Picture (after a perplexing mix-up with La La Land – see blow) and Best Adapted Screenplay. The creators and cast of Moonlight echoed Mahershala’s message of representation. In their acceptance speech for Best Adapted Screenplay, Tarell Alvin McCraney and Barry Jenkins pledged to defend those who don’t fit the mold:

“All you people out there, who feel like there’s no mirror for you or your life is not reflected. We have your back and for the next four years, we will not leave you alone. We will not forget you.”

Image: Kevin Winter/Getty

Jenkins’ words echoed the community and perseverance that Moonlight celebrates. His victory for his second feature film alone is a testament to the spirit of perseverance. His first feature film, the highly acclaimed Medicine for Melancholy, premiered in 2008. Jenkins speaks openly of the discouragement he felt in this eight-year gap, where, at times, he thought his career was at an end. But just like Jenkins couldn’t dodge that Best Picture Oscar, he couldn’t dodge his calling, and I couldn’t be more pleased.

Another highlight in that same speech came from McCraney, who is the playwright of In Moonlight Black Boys Look Blue of which the film is based. He said:

“This goes out to all those black and brown boys and girls and non-gender-conforming who don’t see themselves, we’re trying to show you you and us. Thank you, thank you. This is for you.”

Further celebrating a night of untold stories, NASA’s Katherine Johnson joined the Hidden Figures cast on stage. With the grace of a thousand Dianas, Viola Davis accepted the award for Best Supporting Actress for her portrayal of Rose in Fences. Her performance, which earned her a Tony for Best Actress in 2010, resonated with women and defined resilience to men.

We know Viola from Broadway and How to Get Away With Murder, but tonight she made history as the first Black actor to take home an Emmy, Tony, and Oscar for acting. Her role in Fences gives glory to the ordinary, and her speech showed her pride in that fact.

Now, about that Best Picture Oscar. Still can’t believe this actually happened. There are no words to describe what the conflicting feelings of confusion & joy bottled and shaken up, on the brink of explosion, actually feels like but here it is in video form:

As I cheered along, I thought of the power of ordinariness in Black communities. The legacy of Blackness exudes strength and resilience, but we should remember that excellence isn’t isolated to any tax bracket.

Audiences found power in Viola Davis’ Rose because August Wilson did not see powerful and ordinary as mutually exclusive. It is vital, especially today, that the Fences and Hidden Figures and Moonlights empower us.

These films tell the story of those perceived as ordinary, simply because the people looking had a singular point of view. So, yes, tonight was for Viola and her staple in history, for Mahershala and Moonlight collecting their things, and even for Denzel and Ruth Negga, no matter what The Academy says.

But even more, tonight was for the ordinary people who are, in fact, excellent and Broadway Black.

View the full list of winners at Oscar.

& the funniest moment of the night that we just can’t seem to get over. Watch #TourBusGary become a meme right in front of your eyes:

Continue Reading

Awards Nominees & Winners

Danielle Brooks visits Jimmy Kimmel Live

Broadway Black

Published

on

When you see an image of Danielle Brooks on your feed, steaming her own skirt, in a flirty,  transparent blouse, pointed-toe, bubblegum colored pumps, with a caption that reads, “I’ll be steamin’ hot on Jimmy Kimmel Live,” it’s a good day! Danielle’s appearance on Jimmy Kimmel Live aired on the night of June 30, on ABC. She demonstrated the scene when she embraced “Mama O” (Oprah), and shared stories about filming the Netflix series, Orange is the New Black, while performing nightly as “Sofia” in the Tony Award-winning show, The Color Purple.

It’s Danielle‘s superwoman cape, of course, that allows her to transport from Broadway to LA to Litchfield and back! One minute she’s on the East Coast roaring, “You told Harpo to beat me,” and the next she’s on the West Coast telling Jimmy Kimmel about a terrifying train ride with hysterical OITNB fans.
Orange is the New Black, where she plays “Tasha ‘Taystee’ Jefferson,” evinces season four’s monumental launch into raising awareness about several social justice issues, including the highly extremely relevant movement of Black Lives Matter.
Danielle has dedicated her life to performing in projects with meaning and purpose, and here at Broadway Black, we couldn’t be more proud. In fact, when she detailed (on JKL) the story of her proud parents capturing a selfie with Oprah on Tony night– thanks to Danielle’s talent and commitment–I wondered how many (non-Blacks) would even know about certain issues in the Black community without Broadway Black stars  like her.
She is everywhere making a difference.
I turn on Netflix, boom, she’s there, giving a stellar performance as a fed up inmate fighting for justice. I ride the NY  train and see her in a sassy soldier uniform, on the cover of someone’s Ebony magazine. Or plastered on an ad in her burnt orange jumper.
In the same manner, I hit the TV switch, and Danielle is on my screen, in a late show interview. Or securing the streets in an animation film. I shop in the mall and see her as the face of an exclusive Lane Bryant collection.
I catch the morning ABC news… and she’s there.
Wait! Do I sound like I’m fangirling?
Well, it’s kind of hard not to when Danielle’s respective performances and platforms represent everything that you stand for. She is an advocate for the thick girls, and opens conversations about being confident in your skin/body. She is onstage showcasing strong womanhood and Black unity, and on screen uncovering absurdities in corrupt systems, revealing racial injustice.
I’ve said before that she has the power inside to evoke change in this country. Consequently, on JKL, the largest topic was Oprah and Danielle’s relationship because they are like-minded. I would stay tuned for more groundbreaking news with Danielle Brooks as the headline if I were you.
Check out a final clip of Danielle Brooks on Jimmy Kimmel Live below.

Continue Reading

Award Show Performance

Hamilton, The Color Purple & More Light Up the 2016 Tony Awards

Broadway Black

Published

on

On Broadway’s biggest, and now most historic night, ten of the 14 Tony-nominated musicals of the 2015-2016 season brought light and life to the CBS telecast held at the Beacon Theatre.

Watch the triumphant performances below:

Opening

YouTube

No Description

This year’s Tony-winning host James Corden opened the show with help from Tony-winner Leslie Odom, Jr., and the cast of Hamilton, proving he’s a chameleon when it comes to iconic roles such as Grizabella, The Phantom of the Opera, Mama Rose, and Effie White.

School of Rock

YouTube

No Description

This summer, school is back in session as nominee Alex Brightman led the kids of School of Rock, based on the film, in their performance of “You’re in the Band,” a number written for the show by Andrew Lloyd Webber.

Hamilton

YouTube

No Description

The biggest Hamilton fans in the country, President Barack Obama and First Lady Michelle Obama, prefaced the performance with a video message. In light of the tragedy that occurred in Orlando, FL, Tony-winners Lin-Manuel Miranda, Daveed Diggs, and Tony-nominee Christopher Jackson (who sang “History Has Its Eyes On You”), and cast decided to forgo their musket props during their performance of “Yorktown (The World Turned Upside Down).” Turns out the award-winning choreography is just fine without them.

Waitress

YouTube

No Description

Sweet as pie! The cast of Waitress began their act with the opening number, “Opening Up,” followed by recording artist Sara Bareilles, who wrote the score, performing a gorgeous rendition of “She Used to Be Mine” on the piano. Jessie Mueller returned to the stage and left us edge-less.

Spring Awakening

YouTube

No Description

Despite the Kickstarter controversy surrounding Ken Davenport’s Broadway revival of Deaf West’s Spring Awakening, the cast returned to remind us what was so special about this electrifying production, as both hearing and deaf actors performed “Mama Who Bore Me” and “The Bitch of Living.”

On Your Feet!

YouTube

No Description

Grammy-winner Gloria Estefan performed a medley of her hits alongside Ana Villafane, Josh Segarra, and the cast of On Your Feet!, the musical based on the lives of her and her husband, Emilio.

The Color Purple

YouTube

No Description

We don’t have any words for this either. But Danielle Brooks, Heather Headley, and the cast of The Color Purple revival snatchT us bald with “Mysterious Ways” — merely moments before the woman of the hour, TONY-WINNER MOTHER F***ING CYNTHIA ERIVO, bodied us all with her show-stopping solo “I’m Here.” Naturally, everyone gave her a standing ovation, which is required any time this goddess opens her mouth.

Bright Star

YouTube

No Description

The charming new musical Bright Star opened their performance with an appearance by composer Steve Martin on the banjo. With a first appearance on the Tonys, Carmen Cusack pretty much sang us her life story, performing “If You Knew My Story.”

Shuffle Along

YouTube

No Description

Led by Brian Stokes Mitchell, Billy Porter, and Audra McDonald, the cast of Shuffle Along performed their opening number, “Broadway Blues,” featuring an expecting McDonald dancing her ass off. The woman can do no wrong.

Chicago, 20th Anniversary

YouTube

No Description

To help celebrate the 20th Anniversary of Chicago, now the longest-running American musical on Broadway, Bebe Neuwirth, Velma Kelly in the original revival cast, took the stage to perform the hit opening number, “All That Jazz,” which helped score her a Tony for the role. To date, Neuwirth is the only actress to perform as every female principle in the show.

In Memoriam

YouTube

No Description

Broadway legend Chita Rivera helped pay tribute to her friend and colleague, the late Roger Rees, and others we’ve lost in the past year, including Broadway’s first Black and youngest Jean Valjean, Kyle Jean-Baptiste.

She Loves Me

YouTube

No Description

This eye-popping revival of She Loves Me performed a medley of songs with Gavin Creel and Jane Krakowski recreating that iconic split/drag-across-the-stage piece of choreography, followed by Zachary Levi singing the title song, and ending with Laura Benanti’s power vocals in “Ice Cream.”

Fiddler On the Roof

YouTube

No Description

Bartlett Sher’s streak of lush revivals continues as the cast of his latest work, the Fiddler on the Roof performed “Sunrise, Sunset,” led by six-time Tony nominee Danny Burstein, followed by the “Bottle Dance.”

Closing — What Else? Hamilton

YouTube

No Description

Because they weren’t going anywhere, fresh after winning their 11th Tony for Best Musical, without doing an encore, the lovely ladies of Hamilton — Renée Elise Goldsberry, Phillipa Soo, and Jasmine Cephas Jones — put their glorious harmonies to “work, work” with their number “The Schuyler Sisters.”

What a night. What a year.

Videos courtesy of CBS.

Continue Reading

A Must See

The Car Where It Happens: Carpool Karaoke with Audra McDonald & Other Season Favorites

Jerrica White

Published

on

Karaoke has got to be one of the most fun past times and, well, karaoke in the car ups the enjoyability a couple notches. It’s no wonder Carpool Karaoke has become a signature part of Tony winner, James Corden’s, The Late Late Show.

With the biggest night of theatre around the corner, the Broadway edition of Carpool Karaoke is right on time! As previously reported, James Corden is slated to host The American Theatre Wing’s 70th Annual Tony Awards, which will air on the CBS on Sunday, June 12, 2016, live from the Beacon Theatre in New York City.

Corden invited us into the car where it happens with a couple favorites from this Broadway season including  Lin-Manuel Miranda (Hamilton), Audra McDonald (Shuffle Along), Jane Krakowski (She Loves Me, “Unbreakable Kimmy Schmidt), and Jesse Tyler Ferguson (Fully Committed, “Modern Family”).

At this point, Carpool Karaoke riders have to know that Corden is liable to show UP and show OUT on your song. And that he did.

The ride starts with Miranda and Corden rapping “Alexander Hamilton” and “Guns and Ships,” where Corden notably WENT AWF on Lafayette’s part. #WeSeeYou

After picking up a glowing McDonald, Krawkoski, and Ferguson, the gang tackles perhaps the most famous Broadway song of all time, “Seasons of Love” from Rent; which led into “Can’t Take My Eyes Off You” from Jersey Boys.

Leave it to Audra to snatch your edges from belting in the backseat of a car.

The episode ends with Les Miserables’ epic act one closer, “One Day More.” Audra is sanging for the Gods. Jesse is caught up in the holy ghost that is harmonizing with Audra. Jane is living her best life in the “Eponine” track. James is serving his best “Enjolras.”Lin is head-banging.

Corden asked Krowkski and Ferguson, both stars of current running television shows if they prefer the theatre or money. *ba-dum-tsh* Both replied there’s nothing like the live theatre, but that got me thinking. Maybe they should all continue to do both. Perhaps the next episode will be the gang carpooling to the set of a new romance comedy. I mean, what a dream team!?

We’ll keep our fingers crossed.

Continue Reading

Awards Nominees & Winners

WATCH: The Drama Desk Awards! – Full List of Winners

Andrew Shade

Published

on

The Drama Desk Awards happened via livestream for the world to see and we kept you in the know as the show went on. Below yo4u’ll find all the updates on winners. You can also view the livestream of the entire show down below.

Some notable winners included Shuffle Along  and The Color Purple who both racked up several awards throughout the night. Hamilton was not nominated this year due to being ineligible since being nominated for its Off-Broadway run at The Public Theater last year. That cleared the way for some other great shows to take home the Drama Desk.

It truly was a wonderful night with some great highlights including a Memoriam tribute that included Broadway Black favorite Kyle Jean-Baptiste and a speech by playwright Danai Gurrira who won the Sam Norkin for bringing great insight, range, and depth, & being a fresh new voice to American theater.

* = Winners

Outstanding Play
The Christians, Playwrights Horizons
*The Humans, Roundabout Theatre Company
John, Signature Theatre
King Charles III
The Royale, Lincoln Center Theater

Outstanding Musical
First Daughter Suite, Public Theater
Daddy Long Legs
School of Rock
*Shuffle Along
Waitress

Outstanding Revival of a Play Cloud Nine, Atlantic Theater Company Death of a Salesman, New Yiddish Rep Henry IV, Donmar Warehouse at St. Ann’s Warehouse Long Day’s Journey Into Night, Roundabout Theatre Company *A View From the Bridge Women Without Men, Mint Theater Company Outstanding Revival of a Musical The Color Purple The Golden Bride, National Yiddish Theatre Folksbiene Fiddler on the Roof *She Loves Me, Roundabout Theatre Company Spring Awakening Outstanding Actor in a Play Andrew Garman, The Christians, Playwrights Horizons Avi Hoffman, Death of a Salesman *Frank Langella, The Father, Manhattan Theatre Club Tim Pigott-Smith, King Charles III Mark Strong, A View From the Bridge Outstanding Actress in a Play Georgia Engel, John, Signature Theatre Mamie Gummer, Ugly Lies the Bone, Roundabout Underground Marin Ireland, Ironbound, Rattlestick Playwrights Theater/Women’s Project Theater *Jessica Lange, Long Day’s Journey Into Night Nicola Walker, A View From the Bridge Outstanding Actor in a Musical *Danny Burstein, Fiddler on the Roof Robert Creighton, Cagney, York Theatre Company Michael C. Hall, Lazarus, New York Theatre Workshop Zachary Levi, She Loves Me Benjamin Walker, American Psycho Outstanding Actress in a Musical Laura Benanti, She Loves Me Carmen Cusack, Bright Star *Cynthia Erivo, The Color Purple Jessie Mueller, Waitress Annette O’Toole, Southern Comfort, Public Theater

Outstanding Featured Actor in a Play
Bill Camp, The Crucible
David Furr, Noises Off, Roundabout Theatre Company
Matt McGrath, The Legend of Georgia McBride, MCC Theater
Richard Thomas, Incident at Vichy, Signature Theatre
*Michael Shannon, Long Day’s Journey Into Night

Outstanding Featured Actress in a Play
Brooke Bloom, Cloud Nine
Megan Hilty, Noises Off
Kellie Overbey, Women Without Men
*Saycon Sengbloh, Eclipsed, Public Theater
Jeanine Serralles, Gloria, Vineyard Theatre

Outstanding Featured Actor in a Musical Nicholas Barasch, She Loves Me *Christopher Fitzgerald, Waitress Baylee Littrell, Disaster! Paul Alexander Nolan, Bright Star A.J. Shively, Bright Star Outstanding Featured Actress in a Musical Danielle Brooks, The Color Purple Alison Fraser, First Daughter Suite Rachel Bay Jones, Dear Evan Hansen, Second Stage *Jane Krakowski, She Loves Me Mary Testa, First Daughter Suite Outstanding Director of a Play Rachel Chavkin, The Royale Sam Gold, John Rupert Goold, King Charles III Joe Mantello, The Humans Jenn Thompson, Women Without Men *Ivo van Hove, A View From the Bridge Outstanding Director of a Musical (tie) Michael Arden, Spring Awakening *John Doyle, The Color Purple Rupert Goold, American Psycho *Bartlett Sher, Fiddler on the Roof Bryna Wasserman, Motl Didner, The Golden Bride Outstanding Choreography Joshua Bergasse, Cagney Spencer Liff, Spring Awakening Lynne Page, American Psycho Randy Skinner, Dames at Sea *Savion Glover, Shuffle Along

Outstanding Book of a Musical
*John Caird, Daddy Long Legs
Michael John LaChiusa, First Daughter Suite
Jessie Nelson, Waitress

Outstanding Music
Sara Bareilles, Waitress
Michael John LaChiusa, First Daughter Suite
Andrew Lloyd Webber, School of Rock
The Lobbyists, SeaWife, Naked Angels
*Steve Martin and Edie Brickell, Bright Star

Outstanding Lyrics
Sara Bareilles, Waitress
*Benj Pasek and Justin Paul, Dear Evan Hansen
Glenn Slater, School of Rock
Michael John LaChiusa, First Daughter Suite

Outstanding Orchestrations
August Eriksmoen, Bright Star
*Larry Hochman, She Loves Me, Roundabout Theatre Company
Joseph Joubert and Catherine Jayes, The Color Purple
Andrew Lloyd Webber, School of Rock
Michael Starobin and Bruce Coughlin, First Daughter Suite

Outstanding Music in a Play
Billie Joe Armstrong, These Paper Bullets!, Atlantic Theatre Company
Estelle Bajou, Please Excuse My Dear Aunt Sally, One Year Lease Theater Company
Shaun Davey, Pericles, Theatre for a New Audience
*Philip Glass, The Crucible
Tom Kitt, Cymbeline, Public Theater

Outstanding Set Design for a Play
Riccardo Hernandez, Red Speedo, New York Theatre Workshop
Mimi Lien, John
G.W. Mercier, Head of Passes, Public Theater
*Christopher Oram, Hughie
Derek McLane, Fully Committed

Outstanding Set Design for a Musical
Es Devlin, American Psycho
Emily Orling, Matt Saunders, Eric Farber, Futurity, Soho Rep/Ars Nova
*David Rockwell, She Loves Me

Outstanding Costume Design for a Play
Jessica Ford, These Paper Bullets!
Martha Hally, Women Without Men
Constance Hoffman, Pericles
William Ivey Long, Shows for Days, Lincoln Center Theater
*Anita Yavich, The Legend of Georgia McBride

Outstanding Costume Design for a Musical
Jane Greenwood, Bright Star
Katrina Lindsay, American Psycho
Jeff Mahshie, She Loves Me
Alejo Vietti, Allegiance
*Ann Roth, Shuffle Along

Outstanding Lighting Design for a Play
Neil Austin, Hughie
Mark Barton, John
Bradley King, Empanada Loca, Labyrinth Theater Company
Tyler Micoleau, Antlia Pneumatica, Playwrights Horizons
*Justin Townsend, The Humans

Outstanding Lighting Design for a Musical
Jane Cox, The Color Purple
Jake DeGroot, SeaWife
Ben Stanton, Spring Awakening
*Justin Townsend, American Psycho
Jules Fisher and Peggy Eisenhauer, Shuffle Along

Outstanding Projection Design
Nicholas Hussong, These Paper Bullets!
Darrel Maloney, Tappin’ Thru Life
Peter Nigrini, Dear Evan Hansen
*Finn Ross, American Psycho
Tal Yarden, Lazarus

Outstanding Sound Design in a Play
Fitz Patton, An Act of God
*Fitz Patton, The Humans
Mikhail Fiksel and Miles Polaski,, Fulfillment, The Flea Theatre
Bray Poor, John
Ryan Rumery, Empanada Loca

Outstanding Sound Design in a Musical
Mick Potter, School of Rock
Brian Ronan, Lazarus
Nevin Steinberg, Bright Star
*Dan Moses Schreier, American Psycho
Scott Lehrer, Shuffle Along

Outstanding Wig and Hair
David Brian Brown, She Loves Me
Jason Hayes, The Legend of Georgia McBride
Robert-Charles Vallance, Women Without Men
Charles G. LaPointe, The School for Scandal, Red Bull Theater
*Mia M. Neal, Shuffle Along

Outstanding Solo Performance
Simon Callow, Tuesdays at Tesco’s, 59E59
Kathleen Chalfant, Rose, Nora’s Playhouse
James Lecesne, The Absolute Brightness of Leonard Pelkey
Daphne Rubin-Vega, Empanada Loca
*Jesse Tyler Ferguson, Fully Committed

Unique Theatrical Experience
ADA/AVA, Manual Cinema/3LD/The Tank
Antigona – Soledad Barrio/Noche Flamenca
*That Physics Show
The Very Hungry Caterpillar Show
YOUARENOWHERE – 3LD/The Tank

Continue Reading

Awards Nominees & Winners

Nyong’o, Brooks, & More Shine at the 2016 Theatre World Awards

Broadway Black

Published

on

In an already thrilling awards season, Black performers made up a third of the honorees at the 2016 Theatre World Awards presented on May 23rd at the Circle in the Square. In its 72nd year, this year’s ceremony recognized British-transfer Cynthia Erivo and “Orange is the New Black’s” Danielle Brooks for their performances in The Color Purple, Oscar-winner Lupita Nyong’o for Eclipsed, and Khris Davis for The Royale.

Incepted by John Willis in 1944, the annual Theatre World Awards honors six actors and six actresses making their Broadway or Off-Broadway debut in a leading or supporting role, even if the actor has previously appeared in an ensemble or swing role, and is decided by a committee comprised of David Cote (Time Out New York, NY1), Joe Dziemianowicz (New York Daily News), Peter Filichia (Newark Star-Ledger), Harry Haun (Playbill), Matthew Murray (Talkin’ Broadway), Frank Scheck (The Hollywood Reporter), and Linda Winer (Newsday).

Three years older than the prestigious Tony Award, and the oldest award for debut performances On- or Off-Broadway ever, it seeks to encourage wide-eyed newcomers to the industry to continue pursuing their dreams of gracing the stage.

Here is the full list of winners!

Danielle Brooks (The Color Purple), Carmen Cusak (Bright Star), Khris Davis (The Royale),Daniel Durant (Spring Awakening), Cynthia Erivo ( The Color Purple), John Krasinski (Dry Powder), Sarah Charles Lewis ( Tuck Everlasting), Austin P. McKenzie ( Spring Awakening), Lupita Nyong’o (Eclipsed), Mark Strong (A View From the Bridge), Ana Villafañe ( On Your Feet), Ben Winshaw (The Crucible)

Past recipients of the award have included two of this year’s Tony nominees Daveed Diggs (Hamilton, 2014-2015) and Sophie Okonedo (A Raisin in the Sun, 2013-2014), as well as Phillip Boykin (Porgy & Bess, 2011-2012), Audra McDonald (Carousel, 1993-1994), Ben Vereen (Jesus Christ Superstar, 1971-1972), and Harry Belafonte (John Murray Anderson’s Almanac, 1953-1954).

 

Continue Reading
Advertisement

Facebook

Advertisement

Twitter : @BroadwayBlack

Advertisement
Advertisement

Hot Topics