On Broadway’s biggest, and now most historic night, ten of the 14 Tony-nominated musicals of the 2015-2016 season brought light and life to the CBS telecast held at the Beacon Theatre.
Watch the triumphant performances below:
This year’s Tony-winning host James Corden opened the show with help from Tony-winner Leslie Odom, Jr., and the cast of Hamilton, proving he’s a chameleon when it comes to iconic roles such as Grizabella, The Phantom of the Opera, Mama Rose, and Effie White.
School of Rock
This summer, school is back in session as nominee Alex Brightman led the kids of School of Rock, based on the film, in their performance of “You’re in the Band,” a number written for the show by Andrew Lloyd Webber.
The biggest Hamilton fans in the country, President Barack Obama and First Lady Michelle Obama, prefaced the performance with a video message. In light of the tragedy that occurred in Orlando, FL, Tony-winners Lin-Manuel Miranda, Daveed Diggs, and Tony-nominee Christopher Jackson (who sang “History Has Its Eyes On You”), and cast decided to forgo their musket props during their performance of “Yorktown (The World Turned Upside Down).” Turns out the award-winning choreography is just fine without them.
Sweet as pie! The cast of Waitress began their act with the opening number, “Opening Up,” followed by recording artist Sara Bareilles, who wrote the score, performing a gorgeous rendition of “She Used to Be Mine” on the piano. Jessie Mueller returned to the stage and left us edge-less.
Despite the Kickstarter controversy surrounding Ken Davenport’s Broadway revival of Deaf West’s Spring Awakening, the cast returned to remind us what was so special about this electrifying production, as both hearing and deaf actors performed “Mama Who Bore Me” and “The Bitch of Living.”
On Your Feet!
Grammy-winner Gloria Estefan performed a medley of her hits alongside Ana Villafane, Josh Segarra, and the cast of On Your Feet!, the musical based on the lives of her and her husband, Emilio.
The Color Purple
We don’t have any words for this either. But Danielle Brooks, Heather Headley, and the cast of The Color Purple revival snatchT us bald with “Mysterious Ways” — merely moments before the woman of the hour, TONY-WINNER MOTHER F***ING CYNTHIA ERIVO, bodied us all with her show-stopping solo “I’m Here.” Naturally, everyone gave her a standing ovation, which is required any time this goddess opens her mouth.
The charming new musical Bright Star opened their performance with an appearance by composer Steve Martin on the banjo. With a first appearance on the Tonys, Carmen Cusack pretty much sang us her life story, performing “If You Knew My Story.”
Led by Brian Stokes Mitchell, Billy Porter, and Audra McDonald, the cast of Shuffle Along performed their opening number, “Broadway Blues,” featuring an expecting McDonald dancing her ass off. The woman can do no wrong.
Chicago, 20th Anniversary
To help celebrate the 20th Anniversary of Chicago, now the longest-running American musical on Broadway, Bebe Neuwirth, Velma Kelly in the original revival cast, took the stage to perform the hit opening number, “All That Jazz,” which helped score her a Tony for the role. To date, Neuwirth is the only actress to perform as every female principle in the show.
Broadway legend Chita Rivera helped pay tribute to her friend and colleague, the late Roger Rees, and others we’ve lost in the past year, including Broadway’s first Black and youngest Jean Valjean, Kyle Jean-Baptiste.
She Loves Me
This eye-popping revival of She Loves Me performed a medley of songs with Gavin Creel and Jane Krakowski recreating that iconic split/drag-across-the-stage piece of choreography, followed by Zachary Levi singing the title song, and ending with Laura Benanti’s power vocals in “Ice Cream.”
Fiddler On the Roof
Bartlett Sher’s streak of lush revivals continues as the cast of his latest work, the Fiddler on the Roof performed “Sunrise, Sunset,” led by six-time Tony nominee Danny Burstein, followed by the “Bottle Dance.”
Closing — What Else? Hamilton
Because they weren’t going anywhere, fresh after winning their 11th Tony for Best Musical, without doing an encore, the lovely ladies of Hamilton — Renée Elise Goldsberry, Phillipa Soo, and Jasmine Cephas Jones — put their glorious harmonies to “work, work” with their number “The Schuyler Sisters.”
What a night. What a year.
Videos courtesy of CBS.
Hamilton Cast Performs Opening Number At Grammys
If you were ever in doubt as to whether Lin-Manuel Miranda’s Hamilton has taken over the pop culture consciousness, tune into the Grammys this Sunday. The smash Broadway musical will be featured during the show.
The cast is set to perform their opening number aptly titled “Alexander Hamilton.” It’s the rolling, riveting number that gives the premise of the show complete with harmonies, hip-hop crecendos and a decent bit of dancing.
If you did not know. Hamilton is a steamroller of a show outpacing many other musicals and starring a predomininatly Brown and Black cast. Deadline reported late last year that the show was ahead of the game in recouping their investment costs.
Oh did we also mention the Hamilton cast album broke on the Billboard Rap charts landing on Number 12.
The performance is expected to be shown live from the Richard Rodgers Theater in New York. Of course, love and admiration for this show is almost unparalleled. It is particularly a proud moment for people of color who are seeing Miranda continue to create moving musicals with minority cast and crew. We hope and pray he keeps blessing us with more gems, but until then watch the Grammys this Sunday and support.
Hamilton The Musical Performs & Wins on The Grammy Awards
Tonight the world received a special treat and the theatre community cherished it the most. The musical that continues to break barriers, Hamilton, performed live at the Grammy Awards from the Richard Rogers stage during the telecast for millions all over the world. In front of a house full of Hamiton musical fans, the cast used that energy & magnified it ten-fold thru our television screen to give us what you’ll witness below.
“How does a bastard, orphan, son of a whore and a Scotsman, dropped in the middle of a forgotten spot in the Caribbean, by providence impoverished, in squalor, grow up to be a hero and a scholar?”
These are the words that start it all and we’re surprised that they were allowed on the telecast but we’re glad that they didn’t change that. They delivered such a powerful performance for the world to see & the impact of the opening lines are needed to draw in the masses. We were surely standing on our feet by the end of it.
Now, we know it’s already hard to get tickets for the show & once The Tony Awards come in June it’s going to be even harder but it’s the performances that air like this that make it even more special once you actually do get the chance.
Hamilton is the highly acclaimed, hip hop-infused story about America’s first treasurer, Alexander Hamilton. It has topped rap charts. It has beat out the almighty Lion King as top grossing musical TWICE. It’s members have appeared on a cypher on BET. And it has welcomed thousands of public school students into the theater to give the gift of the arts. Based on the biography of Alexander Hamilton by Ron Chernow, Miranda has penned what has come to be one of the most influential and talked about shows of our generation.
It also didn’t stop after the performance. Hamilton, the musical received more airtime when the musical won Best Musical Theatre Album & the award, as well as the acceptance speech, aired on the main telecast. Watch Lin-Manuel Miranda, the creator of Hamilton, give a clever acceptance speech in the form a rap. He’s truly a remarkable genius with words.
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